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Written by Shan Bertelli
Saturday, 13 March 2010 13:48 |
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| And the winner is...
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Film
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| Oscars (where the majority of the props for the opening number were made out of pizza boxes and tin foil) the Kodak Theatre was returned to its full splendour with no expense spared on the dresses, the stage or anything that glittered. They even went all-out with the nominations, allowing ten films in the Best Picture category (something that hasn’t happened since World War II) including Avatar, The Hurt Locker, Inglorious Basterds and, surprisingly, District 9.
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Written by Angela Meek
Saturday, 13 March 2010 13:43 |
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| The Green Zone
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Film
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| Directed by Paul Greengrass Matt Damon’s third collaboration with Paul Greengrass is not as the character Damon has become most well-known for playing: that of amnesiac CIA agent, Jason Bourne. However, with the break-neck pace of the camera fleeting over the frenzied, lawless streets of Baghdad to the opulence of the invading forces ‘green zone,’ we still get plenty of thrilling action from Damon and Greengrass.
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Written by Lara Zarum
Saturday, 13 March 2010 13:38 |
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| Shutter Island
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Film
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| Directed by Martin Scorsese Martin Scorsese’s latest film, a psychological horror-thriller, gives a whole new meaning to the word “crazy.” It’s 1954 and U.S. Marshal Teddy Daniels (Leonardo DiCaprio) has been sent to Shutter Island’s Ashecliffe Hospital for the criminally insane. He and his partner Chuck (Mark Ruffalo) are investigating the case of an escaped patient (Emily Mortimer). Teddy is a shaky, seasick wreck; Chuck never loses his cool.
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Written by Remington Smith
Monday, 01 March 2010 19:12 |
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| The Crazies
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Film
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| Directed by Breck Eisner Roger Corman made a career’s worth of movies on a shoestring budget, but he always stressed the importance of theme and subtext in binding a project together. The horror flick The Crazies, however, is wading in the kiddie pool of film subtext.
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Written by Laura Peebles
Monday, 01 March 2010 19:03 |
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| From Paris With Love
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Film
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| Directed by Pierre Morel Although apparently taking its name from the Bond classic From Russia with Love, From Paris with Love has none of the suave elegance or sophistication of its namesake.
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Written by Gordon McLean
Monday, 01 March 2010 18:59 |
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| Capitalism: A Love Story
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Film
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| Directed by Michael Moore Michael Moore, director and producer of five of the top-grossing documentaries in cinema history, is a multi-millionaire several times over. Capitalism: A Love Story is his latest diatribe against ‘the system’ which has afforded him more wealth than an average lottery winner.
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