What strikes you first when entering the Talbot Rice Gallery’s latest exhibition is not the artwork, but the stark, white, and remarkably bare walls of the aptly named White Gallery. Christopher Orr: The Beguiled Eye is composed of a collection of small, compact images, whose depths create holes in the otherwise blank space. The works, […]
The titular postcards jostle for attention on several walls, a mass of colour and material […] The tiny postcard offer a far larger scope of artistic creation than some of Edinburgh’s biggest art institutions.
This annual show is a group display by such artists, not united by theme, material or ideology. To the uninitiated, however, the lack of labels and exhibition statement may make this already vast array of subjects difficult to digest.