Radical language intimidates us easily. Defined by bold characterizations and hyperboles, it echoes throughout Richard Seymour’s book The Twittering Machine. That “we are all addicts” is only one of the many controversial things claimed by the chapter titles. Late on the final day of the Radical Book Fair, the author himself appeared in a live […]
Having just ended its week-long stint at Evolution House, ECA’s Dead Wood Living exhibition presented an array of Colin Duncan’s works. The exhibition had attendees suspecting sombre themes simply by way of its title: alluding to the phrase “dead man walking,” it signifies a state in-between certain death and life, something fleeting. However, for all […]