“The dream has gone but the baby is real,” wrote Delaney and warbled Morrissey; one thing remains certain — the dream has definitely gone. Bijan Sheibani’s 2019 rendition of A Taste of Honey does Shelagh Delaney’s 1958 cult classic a great disservice. Depicting the tempestuous mother-daughter relationship of Jo and Helen in post-war, working-class Salford, […]
