Festival

Mark Thomas’ Black and White is a hilarious critique of the political state of the UK, both past and present. Thomas’ ability to mock the Conservative Party without having to…

Ascend the steps of the double decker bus just off Bristo Square, emerge into its celestial light and you might hear the voice of “perhaps Britain’s greatest-living anti-comedian” (Guardian, 2010)…

CW: Mention of suicide. Crossing The Void is a dark, exhilarating glance into the vast chasms created by grief, guilt, and isolation. An impressive Fringe debut for Edinburgh-based theatre company…

TW: Mention of eating disorders. It seems as though theatre hosted at TheSpaceUK venues are must-see shows at this year’s Edinburgh Fringe Festival because, in my opinion, NASTY is the…

There are 100 Hundred Words for Snow, but there aren’t enough good ones to describe this performance. The show, performed in the Leith Arches, is a fabulous display of new…

Few shows end with the suggestion of creating an audience-wide WhatsApp group chat. Even less, I’d imagine, leaving you thinking that this could possibly be a good idea. But this…

In a city where every available square meter has opened its doors to welcome the stage, it is comparatively rare to happen across a venue that isn’t a total eyesore,…

As a sweaty Lord Christian Brighty stumbles into the room, wide-eyed and hot from having just had an encounter with Naughty Susan, he stares at the audience and promptly proclaims…