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Edinburgh Collective: Come n’ Dance

The Edinburgh Collective’s ‘Come n’ Dance’ was a sensational night out. Taking place at 8 pm in Teviot Underground and concluding in the wee hours of the morning at 1…

Baby Strange at The Caves

As the gig ended, floods of sweaty, exalted teens congregated outside The Caves, pumped from the sound of Baby Strange and their oozing neo-punk energy. Amongst the elf bars and…

Taking ‘Flyte’: A Review of Flyte’s Gig at The Caves

The resurrection of the music industry following Scotland’s decision to lift major COVID restrictions on the 3rd of August has been a huge relief to the struggling UK Arts industry…

Maggie Rogers gives a spellbinding performance at Glasgow’s SWG3

When Maggie Rogers bounds on stage at Glasgow’s SWG3, the room is instantly on her side. She quickly earns her new-found title of ‘Witchy Feminist Rockstar’ (founded in a tweet…

Live Review: Nihls Frahm humanises electronic music at Usher Hall

Before Nils Frahm takes to the Usher Hall stage, it’s obvious that this isn’t going to be a conventional piano recital. Dominating the space is a staggering assembly of synths,…

Showcase: Andrew Wasylyk’s The Paralian

Created during an artistic residency at Hospitalfield house, Dundonian musician, Andrew Wasylyk’s, third full-length album The Paralian creates a soundscape evocative of the Angus coastline which inspired it. The album…

Review: Nils Frahm’s Encores 2

In Anticipation of Nils Frahm’s performance at Edinburgh’s Usher Hall later this month, Logan’s Close’s Ollie Turbitt discusses Frahm’s latest EP, Encores 2, and how it pioneers excellence. Around 60…

The 1975 push aesthetic boundaries with a stellar Glasgow performance

The 1975 have always been an aesthetically-conscious group. From the black and white style of The 1975 to the social media stunts and recolour release of I Like It When…