Solange is transcendent on the musical tapestry of When I Get Home

Comparing the covers of A Seat at the Table (Solange’s heralded 2016 release) vs. When I Get Home is akin to comparing da Vinci’s ‘Mona Lisa’ vs. Prado’s interpretation of her. Both are marvellous artistic portraits of the same subject yet there’s a darker, almost intangible difference between the two that feels eerie. When I […]