• Thu. Jun 13th, 2024

Beth Blakemore

Former Senior Culture Editor (2016-7) and Fringe Editor (2017). MSc student researching the Spanish Baroque. Most likely to be found in either the library or bailando in El Barrio.
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Shit-faced Shakespeare: Romeo and Juliet

You may not think one bottle of Prosecco and another of Sauvignon Blanc would have much effect on a grown man. Upon seeing the empty bottles drunk dry by one…

Bare Threads

In their latest production Bare Threads, Theatre Paradok explore how clothing can act as an emblem of power or passion, of love or loss. With only an eclectic wardrobe and…

Meet Me At Dawn – Edinburgh International Festival

In her hauntingly beautiful play, Meet Me At Dawn, playwright Zinnie Harris considers how far one woman will go to forget her greatest loss. Following a boating accident that leaves…

The Whip Hand

In Douglas Maxwell’s latest play, a stylish living room turns into a hostile battleground as a happy family’s façade falls and lies are exposed. The Whip Hand is a powerful…

Borders by Henry Naylor

In his fourth instalment of the Arabian Nightmares series, Henry Naylor attempts to finally bridge the gap between the divided East and West. Spanning over 17 years, Borders follows the…

Me and My Bee

Following their fantastic run at the Edinburgh Festival Fringe last year with Goggles, ThisEgg are back and even better than before. Representing the recently formed Bee Party, Josie, Greta and…

Ed Byrne: Spoiler Alert

What do you do when you realise your children are spoilt and have an unacceptable sense of entitlement? Most would say that allowing your son to touch an electric fence…

threadbare

When reading the plot summary of threadbare, it feels inevitable that spectators are subjecting themselves to 55 minutes of heavy-hitting drama. The subject of revenge porn is one that is…